Skip to content
Midnight Dreaming

Gallery

Paintings, weaving, exhibitions, community, dance and campaign — the world of Midnight Dreaming.

108 photographs — every one of them hers

Whole works, on the wall and in the studio — rings, pathways, waterways and Country.

Painting by Renae Lamb — deep concentric rings across a large pink canvas
Rings, at full canvas scale
Painting by Renae Lamb — dense ochre concentric rings
Painting by Renae Lamb — dense ochre concentric rings
Three small paintings by Renae Lamb, hung as a group
Three small paintings by Renae Lamb, hung as a group
Painting by Renae Lamb — radiating coral strokes on turquoise
Painting by Renae Lamb — radiating coral strokes on turquoise
Painting by Renae Lamb — rings and pathways in pink and coral
Painting by Renae Lamb — rings and pathways in pink and coral
Painting by Renae Lamb — a single pink current across a pale ground
Painting by Renae Lamb — a single pink current across a pale ground
Painting by Renae Lamb — lilac and pink rings over blue
Painting by Renae Lamb — lilac and pink rings over blue
Painting by Renae Lamb, in detail — layered contour rings in blue and white
Painting by Renae Lamb, in detail — layered contour rings in blue and white
Two framed paintings by Renae Lamb on the gallery wall
Two framed paintings by Renae Lamb on the gallery wall
A hang of small framed works by Renae Lamb
A hang of small framed works by Renae Lamb
Framed painting by Renae Lamb — dark layered strata lines
Framed painting by Renae Lamb — dark layered strata lines
Three framed works by Renae Lamb on the gallery wall
Three framed works by Renae Lamb on the gallery wall
Framed painting by Renae Lamb — coral ground with layered marks
Framed painting by Renae Lamb — coral ground with layered marks
Painting by Renae Lamb — orange ground with inscribed lines
Painting by Renae Lamb — orange ground with inscribed lines
Two panels by Renae Lamb — rings over pink and blue
Two panels by Renae Lamb — rings over pink and blue
Painting by Renae Lamb — river lines in earth tones
Painting by Renae Lamb — river lines in earth tones
Painting by Renae Lamb — rings and pathways on blue
Painting by Renae Lamb — rings and pathways on blue
Painting by Renae Lamb — black contour lines over orange
Painting by Renae Lamb — black contour lines over orange
Painting by Renae Lamb — layered lines over an orange ground
Painting by Renae Lamb — layered lines over an orange ground
Painting by Renae Lamb — concentric rings in blue and pink
Painting by Renae Lamb — concentric rings in blue and pink
Large painting by Renae Lamb — pathways, rings and gathering places in pink, coral and violet
Large painting by Renae Lamb — pathways, rings and gathering places in pink, coral and violet
Painting by Renae Lamb — flowing pathways in pink and gold
Painting by Renae Lamb — flowing pathways in pink and gold
Gilli Watta — exhibition view at the Creator Incubator, works by Renae Lamb
Gilli Watta — Creator Incubator, July 2024
Large canvas by Renae Lamb in the studio — rings, weave and waterways
Large canvas by Renae Lamb in the studio — rings, weave and waterways
A painting by Renae Lamb in progress on the studio table
A painting by Renae Lamb in progress on the studio table
Three paintings by Renae Lamb hung together — pink and lilac
Three works, hung together
Painting by Renae Lamb — a coolamon over a magenta ground
Painting by Renae Lamb — a coolamon over a magenta ground
Painting by Renae Lamb — coral and violet concentric rings
Painting by Renae Lamb — coral and violet concentric rings
Painting by Renae Lamb — a lilac coolamon on a brown ground
Painting by Renae Lamb — a lilac coolamon on a brown ground
Painting by Renae Lamb — figures across an orange and red ground
Painting by Renae Lamb — figures across an orange and red ground
Painting by Renae Lamb — waterways in blue and lilac
Painting by Renae Lamb — waterways in blue and lilac
Painting by Renae Lamb — radiating strokes on a turquoise ground
Painting by Renae Lamb — radiating strokes on a turquoise ground
Painting by Renae Lamb — pink ground with orange framing marks
Painting by Renae Lamb — pink ground with orange framing marks
Framed painting by Renae Lamb — gold and black
Framed painting by Renae Lamb — gold and black
Painting by Renae Lamb hung on the gallery wall — orange figures
Painting by Renae Lamb hung on the gallery wall — orange figures
Painting by Renae Lamb hung on the gallery wall — orange and pink
Painting by Renae Lamb hung on the gallery wall — orange and pink
Five small works by Renae Lamb hung as a group
Five small works by Renae Lamb hung as a group
Four small works by Renae Lamb hung as a group
Four small works by Renae Lamb hung as a group
Painting by Renae Lamb, in detail — a blue work close up
Painting by Renae Lamb, in detail — a blue work close up
Painting by Renae Lamb, in detail — the orange series
Painting by Renae Lamb, in detail — the orange series
Painting by Renae Lamb, in detail — the orange series, second frame
Painting by Renae Lamb, in detail — the orange series, second frame
A painted possum-skin cloak by Renae Lamb, on the studio table
A painted possum-skin cloak, on the studio table
Gilli Watta — Renae Lamb’s 2024 exhibition at the Creator Incubator, the works hung together
On this land, never ceded and forever stolen. Always was, always will be Aboriginal land.

Renae Lamb

Closing line of the Gilli Watta curatorial statement, 2024

Gilli Watta — Renae Lamb’s 2024 exhibition at the Creator Incubator, the works hung together

Coiled lomandra and raffia, emu feather and story — ancient technique, living practice.

Woven pieces by Renae Lamb hung beside her handwritten poem, Blue Bird Keeper of the Sacred Soul
Her poem “Blue Bird Keeper of the Sacred Soul”, hung with her weaving
Coiled woven vessel by Renae Lamb in burgundy raffia
Coiled woven vessel by Renae Lamb in burgundy raffia
Coiled woven basket by Renae Lamb — teal over yellow
Coiled woven basket by Renae Lamb — teal over yellow
Woven wall work by Renae Lamb in pinks
Woven wall work by Renae Lamb in pinks
Woven vessels by Renae Lamb on the exhibition table
Woven vessels by Renae Lamb on the exhibition table
Woven pieces by Renae Lamb, hung with feathers
Woven pieces by Renae Lamb, hung with feathers
Coiled weaving by Renae Lamb with emu feather
Coiled weaving by Renae Lamb with emu feather
Woven headpiece by Renae Lamb, worn for dance
Woven headpiece by Renae Lamb, worn for dance
Framed mixed-media weaving by Renae Lamb — grasses, bark and painted stones
Framed mixed-media weaving by Renae Lamb — grasses, bark and painted stones
The Blue Bird Keeper wall, closer — Renae Lamb’s weaving and handwriting
The Blue Bird Keeper wall, closer — Renae Lamb’s weaving and handwriting
Coiled weaving by Renae Lamb with an emu feather, close
Coiled weaving by Renae Lamb with an emu feather, close
Coral and yellow woven forms by Renae Lamb on the wall carrying her poem The Bad Man
Coral and yellow woven forms by Renae Lamb on the wall carrying her poem The Bad Man

Openings, hangs and the people who came — Gilli Watta, Bangang Daangang and beyond.

A full hang of Renae Lamb’s pink works with visitors in the space
A full hang of her work, with visitors in the room
Exhibition opening — works by Renae Lamb on the gallery wall
Exhibition opening
Exhibition opening — visitors with Renae Lamb’s works
Exhibition opening — visitors with Renae Lamb’s works
Renae Lamb in her own design, in front of her painting at an exhibition
Renae, in her own design, before her painting
A painting by Renae Lamb held by the group who worked on it together
A painting by Renae Lamb held by the group who worked on it together
Renae Lamb with fellow artists at an exhibition opening
Opening night
Renae Lamb speaking at an artist talk
Artist talk
Five women and a child in front of Renae Lamb’s hung works
Five women and a child in front of Renae Lamb’s hung works
Renae Lamb in her own print, her framed works behind the counter
Renae Lamb in her own print, her framed works behind the counter
Three visitors in front of a large lilac work by Renae Lamb
Three visitors in front of a large lilac work by Renae Lamb
Renae Lamb in a printed dress beside her handwritten poem The Bad Man and her coral and yellow weavings
Renae beside her poem “The Bad Man”, studio wall
Renae Lamb in profile against a hand-print artwork wall
Renae Lamb in profile against a hand-print artwork wall
A painting by Renae Lamb in progress on the studio table
© Renae Lamb · ICIP protected

Everything here started on canvas

The swim prints, the runway pieces, the uniforms — all of them come off a painting made first. This is one of them.

Renae LambA painting in progress, in the studio

Weaving, murals, ground paintings and gatherings across the Hunter and NSW.

A collaborative ground mural under way at a community workshop
A ground mural under way
Ephemeral sand work — concentric circles laid in white sand
Ephemeral work in white sand
Ma & Morley Scholars Program event
Ma & Morley Scholars Program
Ochre shared by hand at a cultural gathering
Ochre, shared by hand
A community group with a finished painting, on Country
A community painting, finished together
A workplace cultural workshop with Renae Lamb — weaving in progress
A workplace cultural workshop
Kids learning to weave at a Midnight Dreaming workshop
Weaving workshop
A community mural designed with Renae Lamb
Community mural
Two women with ochre, at a cultural gathering
Two women with ochre, at a cultural gathering
Renae Lamb beside her blue contour-line painting
Renae Lamb beside her blue contour-line painting
Renae Lamb in front of a mural in progress
Renae Lamb in front of a mural in progress
Painted emu egg by Renae Lamb
Painted emu egg
Newcastle Knights players in the 2025 Indigenous jersey — Nginhabulagu, designed by Renae Lamb
Newcastle Knights 2025 Indigenous jersey — Nginhabulagu, designed by Renae
A public artwork by Renae Lamb in steel, during fabrication
Public artwork in steel, during fabrication
Renae Lamb running an outdoor session with kids
An outdoor session with the kids
Ma & Morley Scholars standing in a circle by the water
Ma & Morley Scholars, by the water
Renae Lamb’s public artwork on the fabrication floor, second angle
The same work on the fabrication floor, second angle
Renae Lamb on Country in her own print set
On Country, in her own print set
From the community — Midnight Dreaming out in the world
Renae’s story — Ma & Morley Scholars Program, University of Newcastle

Midnight Dreaming Dance Co — from the beach to the Sydney Opera House.

Midnight Dreaming dancers at Dance Rites 2024, Sydney Opera House. Photo: Daniel Boud
Dance Rites 2024, Sydney Opera House. Photo: Daniel Boud
Dancer in a Midnight Dreaming design with ochre, before the ocean
Before the ocean, ochre on
Midnight Dreaming dancers performing on the beach
Dancing on the beach
Midnight Dreaming dance uniforms on stage
On stage in Midnight Dreaming uniforms
Dancers on stage in Midnight Dreaming uniforms
Dancers on stage in Midnight Dreaming uniforms
Dancers mid-performance in Midnight Dreaming purple prints
Mid-performance
Painting by Renae Lamb — concentric rings in blue and pink
© Renae Lamb · ICIP protected
Renae LambTitle awaiting Renae

Swim and story shot where the designs come from, and the collection on the catwalk.

Swim campaign — the full group in Midnight Dreaming swim prints along the ocean baths wall
Swim, at the ocean baths
Swim campaign — models in Midnight Dreaming swim prints lined along the baths pavilion
The full range, worn together
Swim campaign — diving into the ocean pool in a Midnight Dreaming print
Into the water the designs came from
Swim campaign — poolside in Midnight Dreaming swim prints
Poolside
Swim campaign — the group seated together above the sea
Above the sea
Swim campaign — kids wrapped in Midnight Dreaming towels
Little dreamers
Swim campaign — the group with hands raised at the ocean baths
The swim campaign
Swim campaign — seated on the boardwalk in Midnight Dreaming prints
On the boardwalk
Campaign — a Midnight Dreaming shawl worn on Country
A Midnight Dreaming shawl, on Country
On Country — ochre and a Midnight Dreaming print at the rocks
Ochre and print, at the rocks
Garment detail — a Renae Lamb print in orange, pink and blue
Print detail
Runway finale — Midnight Dreaming swim on the catwalk
Runway finale
Runway — Midnight Dreaming swim collection on the catwalk
Runway — Midnight Dreaming swim collection on the catwalk
Runway — a Midnight Dreaming print carried down the catwalk
Runway — a Midnight Dreaming print carried down the catwalk
Runway — Midnight Dreaming design mid-walk
Runway — Midnight Dreaming design mid-walk
Runway — the audience watching a Midnight Dreaming design pass
Runway — the audience watching a Midnight Dreaming design pass
Runway — Midnight Dreaming swim against the film backdrop
Swim against the film backdrop
Runway — the pink contour-line dress on the catwalk
The contour-line dress

Every photograph here is Renae’s own work or her own record of it. Titles for most paintings are still being recorded with her, so they are captioned honestly rather than named for her. 2 rehearsal frames carrying another photographer’s watermark are held back until Renae confirms permission.

Painting by Renae Lamb — lilac and pink rings over blue
© Renae Lamb · ICIP protected

See the paintings themselves

Every work in Original Art is listed with its language name, Country and the story in Renae’s own words.

Original art

Renae LambTitle awaiting Renae