Gallery
Paintings, weaving, exhibitions, community, dance and campaign — the world of Midnight Dreaming.
108 photographs — every one of them hers
Paintings & studio
Whole works, on the wall and in the studio — rings, pathways, waterways and Country.











































“On this land, never ceded and forever stolen. Always was, always will be Aboriginal land.”
Renae Lamb
Closing line of the Gilli Watta curatorial statement, 2024
Gilli Watta — Renae Lamb’s 2024 exhibition at the Creator Incubator, the works hung together
Weaving & fibre
Coiled lomandra and raffia, emu feather and story — ancient technique, living practice.












Exhibitions
Openings, hangs and the people who came — Gilli Watta, Bangang Daangang and beyond.













Everything here started on canvas
The swim prints, the runway pieces, the uniforms — all of them come off a painting made first. This is one of them.
Renae LambA painting in progress, in the studio
Community & workshops
Weaving, murals, ground paintings and gatherings across the Hunter and NSW.


















Dance
Midnight Dreaming Dance Co — from the beach to the Sydney Opera House.







Runway & campaign
Swim and story shot where the designs come from, and the collection on the catwalk.


















Every photograph here is Renae’s own work or her own record of it. Titles for most paintings are still being recorded with her, so they are captioned honestly rather than named for her. 2 rehearsal frames carrying another photographer’s watermark are held back until Renae confirms permission.

See the paintings themselves
Every work in Original Art is listed with its language name, Country and the story in Renae’s own words.
Original artRenae LambTitle awaiting Renae
