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Midnight Dreaming
Renae Lamb in the ocean shallows on Worimi Country, ochre across her face, wearing her own design

Renae Lamb

Artist, designer, dancer, educator. Founder of Midnight Dreaming.

Wiradjuri / Wongaibon — descended from the Dubbo, Tangie and Dandaloo areas of Central West NSW

Painting by Renae Lamb — black contour lines over orange
© Renae Lamb · ICIP protected
It is my life’s mission to help reshape the narrative around Aboriginal culture — from misunderstanding and stigma to true recognition of the incredible strength and beauty of our communities.

Renae Lamb

Renae LambTitle awaiting Renae

Country

I am a proud descendant of the Wiradjuri and Wongaibon people of Central West New South Wales. My family and I deeply identify with the Dubbo, Tangie and Dandaloo areas — where my father, Charlie Lamb, was raised, and where many of my ancestors have been laid to rest.

I was born and raised on the homelands of the Wonnarua, Awabakal and Worimi communities — lands that shaped my upbringing, where I watched my father run his farm and learned from him the power of perseverance. This is where I have had the privilege of raising my three children, in the Karuah and Swan Bay community on Worimi Country.

Country holds a deep pride for me — it gives me a sense of belonging. I feel my ancestors guiding me in all that I create, and I carry their wisdom in every step I take.

The journey

Midnight Dreaming began in 2019 as a dance studio — culturally safe dance, leadership and education for children, youth and adults. Through COVID it moved online, came back in person, and grew into visual art and fashion design, grounded in Aboriginal sovereignty and self-determination.

In 2021 a $7,000 Many Rivers loan bought one hundred pyjama sets. They became $35,000 in sales — and the label was born. Strength is not a slogan here; it is the business model.

I hold a Bachelor of Arts from the University of Newcastle, majoring in Global Indigenous Studies with a minor in Education, and I am an alumna of the Ma & Morley Scholars Program.

The record

  • Newcastle Knights 2025 Indigenous Jersey

    “Nginhabulagu” — Belonging, in Wiradjuri. An NRL club jersey, designed by Renae.

  • Newcastle Art Gallery

    “Dabuyarra murun” — a story of life, legacy and connection — embedded in the Gallery floor where the 1977 building meets the 2025 expansion.

  • University of Newcastle

    “Bulaguy Miranggul” (Salt Bush) — commissioned for the University’s 60th anniversary.

  • Melbourne Indigenous Global Runway 2024

    Selected designer.

  • NITV / SBS Radio

    Interviewed as CEO and founder of Midnight Dreaming.

  • Commissioned by Jack Ma

    Private commission for the founder of Alibaba.

The practice

Renae works in traditional materials and techniques — ochre, emu feathers, weaving, lomandra, stringybark and twining — creating contemporary pieces that reflect ancient practices alive in community today.

Her visual language is contour line and concentric ring: rivers and songlines binding nations, the strata of women’s knowledge, the rings of gathering. Each piece is a testament to the wisdom of ancestors, preserved through art.

Community

Cultural training, performance and leadership pathways for the next generation. School programs across Newcastle, the Hunter and NSW. Performances at NAIDOC Week, Ngarrama, Rising From the Embers, Giyi Para, Bangang Daangang, NRL Indigenous Round and Dance Rites.

This is more than a brand. Midnight Dreaming exists to reconnect people to culture, to Country, and to themselves — through creative expression and community.

On film

Renae Lamb on SBS NITV Radio — CEO and founder of Midnight Dreaming
Renae Lamb on Country in her own print set
On Country, in her own print
Renae Lamb in her own design, in front of her painting at an exhibition
At an exhibition of her work
A full hang of Renae Lamb’s pink works, with visitors in the space
... It is my life’s mission to help reshape the narrative around Aboriginal culture, shifting it from misunderstanding and stigma to true recognition of the incredible strength and beauty of our communities ...

Renae Lamb

Her own pull-quote, from her About page

A full hang of Renae Lamb’s pink works, with visitors in the space

Written on the studio wall

Two poems in her own hand, in chalk pencil on the wall of her studio, beside the work they belong to. They are not on her website anywhere. They are hers, and they are printed here exactly as she wrote them.

Woven pieces by Renae Lamb hung beside her handwritten poem, Blue Bird Keeper of the Sacred Soul
The poem on the studio wall, hung with her weaving

Blue Bird Keeper of the Sacred Soul

By Renae Lamb

Blue wings rise with morning Light, Carrying stories beyond our sight. Keeper of dreams gentle and free, Holding the Spirit of memory.

Through every Season Strong and whole, Country Lives within your soul.

Ngyaguyamilang dhulubong Beautiful soul Wiradjuri

Renae Lamb — studio wall

Renae Lamb in a printed dress beside her handwritten poem The Bad Man and her coral and yellow weavings
Renae beside the poem, with her coral and yellow weavings

The Bad Man.

The fancy man, he wears a wig and suit upon a throne. Casting Judgment on our people, he will protect his own.

Families devided, not knowing who to trust, Our children Lost forever, to many Laws unjust.

If we wash away the blood, nothing else remains There will never be a story that will take away the Pain We need to fight for Justice now, We can not lose again.

Renae Lamb — studio wall

Transcribed from photographs of the wall. Awaiting Renae’s confirmation before the site goes to its own domain.

Painting by Renae Lamb — river lines in earth tones
© Renae Lamb · ICIP protected

Renae LambTitle awaiting Renae